Sunday, July 19, 2009

At Auntie Edie's house



Acrylic on hardboard 8" x 8" Please contact me if you are interested in purchasing this painting

I had an interesting time yesterday. I went through all my unsold small paintings and created three piles: keepers; rejects for recycling; salvage pile. The salvage pile is those painting that I think can be rescued and I was eager for the opportunity anyway to re-work some stuff and see how I got on. I like that idea, because if it was important enough for you to paint in the first place, you have to learn what it was that attracted you and build on that, not just throw it out. For this painting, which was quite a recent painting, and you may remember it had a huge vase of sunflowers on the table, I really was remembering visits to my Auntie Edie who was not my real aunt but was my grandma's friend. She was a Victorian spinster lady but very kind. She lived in a fairly poor terraced house near us and she still had gas light even up to her death. I wanted to portray how it felt as a small child in that house. A green chenille table cloth, gloomy walls and interior, one or two inherited ornately framed landscapes and the gas light on the wall. I was not afraid but I did feel small. If I was good she let me read one her small stock of Victorian children's stories, very morally driven they were too but I was at the age when even reading the cornflake packet was riveting! Sorry this painting does not photograph so well because of the darkness in it.

15 Comments:

Blogger Don Gray said...

Oh my--it's getting very spooky...and quite abstract. I like!

5:13 PM  
Blogger Sheila Vaughan said...

LOL ! Yes, it does look spooky Don but it was not a frightening place, just a bit odd and dark and I always felt quite small there.

6:38 PM  
Blogger Ghislaine Bruno said...

Sheila, I understand because I remember very well how some homes seemed peculiar as a child, as well as the rituals there, things we did'nt do, use or eat at home. I can't eat a speacial brand of cracker without remembering an old lady we visited on sunday mornings just befor lunch and who invariably served them with Port. (We children had bright orange soda)

3:03 PM  
Blogger Simon Jones said...

just laughed out loud when I saw this one, yes just the feeling of being small as a kid. Also like the abstract quality, and as you say the big shapes.

5:33 PM  
Anonymous Anonymous said...

This is almost surrealistic. Very appealing !

7:01 PM  
Blogger Sheila Vaughan said...

Yes, isn't that true Ghislaine! Like Marcel Proust's madeleine cake. I wonder why some memories are stronger than others.

7:07 PM  
Blogger Sheila Vaughan said...

Hiya Simon, I laugh too when I look at this one. Auntie Edie had two victorian statues of children under glass domes and one day we went and she was cleaning them. Her and my grandma went in the back kitchen to make some tea and she said to me "Don't touch those". Of course that did it, I couldnt resist. And when they came back she said "You touched them didn't you". LOL.

7:09 PM  
Blogger Sheila Vaughan said...

Thank you Anon. I'm really proud you called it almost surrealistic!

7:09 PM  
Blogger doreyme said...

I love this painting. I love so many of your paintings + I would, actually love to paint some in a similar vein...that is, with a minimal palette, subdued + subtle colours...but I absolutely cannot do it. My work is the opposite of subtle. What is your secret?

9:25 PM  
Blogger Sheila Vaughan said...

Hi Edith, I don't know the answer but I think we can only paint "proper stuff" if we paint like ourselves. When I try to paint like other people I always end up feeling a bit uncomfortable about it and yet the things we admire about other people's paintings must be because they are responding to something in us. It's a funny business.

9:52 AM  
Blogger Sheila Vaughan said...

Edith, I have re-read my last comment to you and saw that it might be mis-construed. I do try to emulate other people quite a bit but often it fails - because I think I am trying to be someone else. Having said that I think I learn a lot from that approach which I hope feeds into the stuff which is "just me". The subdued palette is helped along I think by working on a hard, black gessoed surface which I then cover with a coat of dark red. So everything tends to stay a bit dark which is how I want it most of the time. By the way I think you do the most wonderful water colours and if you think those geraniums are not subtle then hey girl, look again. I can't do that. I simply can't get the freshness in water colour that I would like. It scares the pants off me!

3:42 PM  
Blogger Linny D. Vine said...

These "not the sheila I know" paintings are so special...I get an immediate visual emotional connect from them/with them!

7:49 PM  
Blogger Sheila Vaughan said...

Thanks Linny, I'm glad you like them.

8:25 PM  
Blogger Jala Pfaff said...

Fantastic. I think you're doing brilliantly at recreating childhood feelings as images.

5:39 AM  
Blogger Sheila Vaughan said...

Jala, it's a fascinating theme and the more you do, the more you remember.

8:06 PM  

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